CW To the Hompage
Recently Read
11.18.2005

In her historical novel Beyond the Pale, Elana Dykewomon weaves together the lives of two women: Gutke Gurvich, a Russian midwife, and one of the people whom Gutke helps bring into the world, a girl named Chava Meyers. The novel opens with Chava's birth one winter just before the start of the twentieth century: "In Kishinev the river Byk is frozen. The oven stuffed with coal," and yet Chava's mother Miriam "lies shivering on a small bed in one of the few stone house on Gostinaya Street, cursing the walls." While the birth is difficult, Chava emerges without injury, and soon Gutke, who is clairvoyant, tells Miriam her sense of the baby's future. She says that the girl will have "a long, difficult journey. But she will be loyal and have courage." The words do not impress the exhausted mother, who asks, "Is that some kind of curse? Every Jew has courage."

True to Gutke's prediction, Chava stands out as notably courageous even among the courageous. She survives the Russian pogroms to immigrate to America where she fights exploitation as a factory worker in New York City. At her very first job, she strikes, walking out of a box factory where rats make "tunnels in the waste cardboard on the floor." Her story coupled with Gutke's provides for a great, sweeping novel, but while this book is large in scope, its structure rests on down-to-earth symbols contained with its story. The two main plots – Chava's and Gutke's – are woven together like the challah bread that Miriam at one point teaches her daughter to make. The scenes move naturally, one folding over into the next and the next. Gutke and Chava are lesbians, and their stories come together to create a nurturing vision of social protest among Jewish women.

Blogs

Jenny Boully
Kristy Bowen
Lorna Dee Cervantes
Conversational Reading
Joshua Corey
Esther Press
Tayari Jones
Amy King
Language Hat
James Marcus
Maud Newton
The Middle Stage
The Reading Experience
Reginald Shepherd
Silliman's Blog
Swoonrocket


Quick Guide to Recently Read Entries
Night-Sea
by Rachel Moritz

"The Last Laugh"
with Alison Light's Mrs. Woolf and the Servants

"Advice for a Cold February"
with Zora Neale Hurston's Mules and Men

"Sweet, Nice Holiday Reading"
with Inger Frimansson's Good Night, My Darling

"The Style and Skill of the Pilots"
with Robert K. Wallace's Douglass and Melville: Anchored Together in Neighborly Style

"A Scrooge Plan Growing in July"
with Charles Dickens,
Dubravka Ugresic
and Anne Elizabeth Moore

Frankenstein
by Mary Shelley

Kiss Me with the Mouth of Your Country
by Amy King

A Free Life
by Ha Jin

"The Invisible Lesbian"
an article by Sarah Schulman

Shakespeare's Kitchen
by Lore Segal

Illusions of Security: Global Surveillance and Democracy in the Post-9/11 World
by Maureen Webb

In the Recently Read Archives
Savushun
by Simin Daneshvar

PP/FF: An Anthology
edited by Peter Conners

¡Workers of the Word, Unite and Fight!
by Mark Nowak

The Truant Lover
by Juliet Patterson

Wild Dogs
by Helen Humphreys

Hangings
by Nina Shope

Vale of Tears
by Paulette Poujol Oriol

The Ministry of Pain
by Dubravka Ugresic

Cassandra at the Wedding
by Dorothy Baker

Good Women
by Jane Stevenson

An@rchitexts: Voices from the Global Digital Resistance
edited by Joanne Richardson

Beyond the Pale
by Elana Dykewomon

Baghdad Burning: Girl Blog from Iraq
by Riverbend

Don't Let Me Be Lonely
by Claudia Rankine

Naphtalene
by Alia Mamdouh

Small g
by Patricia Highsmith

The Braided Tongue
by Roshni Rustomji

The Visitor
by Maeve Brennan

The Blue Books
by Nicole Brossard

Femme Fatales: Women Write Pulp,
a series by the Feminist Press

Nelly Reifler at Parenthetical Note
and Rush Rankin in Chelsea

© 2005-2010, Caroline Wilkinson