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5.22.2008

Not having much time to post here, I wanted to write something brief about Frankenstein, which I reread a few weeks ago. Midway through the book, I realized I had forgotten a major piece of the plot. I couldn't remember what happens when the monster asks the scientist Frankenstein to make him a female companion. I knew the woman monster never gets completed, but I couldn't remember why.

As the moment approached in the story for the female to come to life, I tried to guess why she never does. I told myself that it pertained to Frankenstein's skills as a scientist. He doesn't know how to make a woman even though he has tried his best to find out. He has traveled to England to learn about "some discoveries" that are "material" to his project. But in the end he doesn't learn enough about the female form – or so I speculated as Frankenstein started to make a woman out of dead flesh.

Imagine my surprise when he starts to tear up this woman before he has finished. The male monster, who has come to check on Frankenstein's progress, watches the body being destroyed. The hideous and lonely monster has been promised a mate, but Frankenstein goes back on his word: "I thought with a sensation of madness on my promise of creating another like to him, and trembling with passion, tore to pieces the thing on which I was engaged."

I was going to write about the sensation of reading this passage, of seeing my own amnesia while watching, like the monster, the half-formed female being ripped apart. But as I said before, I don't have much time to spend on this blog entry. I am busy writing a manuscript right now, and the sensations I felt while reading the scene would take a while to describe. The feelings were as profoundly weird as the body that gave rise to them.

Which brings me to another point about this book that surprised me this time around: I forgot that Frankenstein builds the monster to a huge scale in the interest of finishing quickly. "As the minuteness of the parts formed a great hindrance to my speed, I resolved, contrary to my first intention, to make the being of a gigantic stature; that is to say, about eight feet in height, and proportionally large." So in honor of Frankenstein, who learned the hard way about haste – his monster does get him in the end; I didn't forget that part – I will end this comment here.

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Quick Guide to Recently Read Entries
Jenny Boully
Kristy Bowen
Lorna Dee Cervantes
Conversational Reading
Joshua Corey
Esther Press
Tayari Jones
Amy King
Cheryl Klein
Language Hat
James Marcus
Maud Newton
The Middle Stage
The Reading Experience
Reginald Shepherd
Silliman's Blog
Swoonrocket


Quick Guide to Recently Read Entries
"A Scrooge Plan Growing in July"
with Charles Dickens,
Dubravka Ugresic
and Anne Elizabeth Moore

Frankenstein
by Mary Shelley

Kiss Me with the Mouth of Your Country
by Amy King

A Free Life
by Ha Jin

"The Invisible Lesbian"
an article by Sarah Schulman

Shakespeare's Kitchen
by Lore Segal

Illusions of Security: Global Surveillance and Democracy in the Post-9/11 World
by Maureen Webb

Savushun
by Simin Daneshvar

PP/FF: An Anthology
edited by Peter Conners

¡Workers of the Word, Unite and Fight!
by Mark Nowak

The Truant Lover
by Juliet Patterson

Wild Dogs
by Helen Humphreys

Hangings
by Nina Shope

Vale of Tears
by Paulette Poujol Oriol

The Ministry of Pain
by Dubravka Ugresic

Cassandra at the Wedding
by Dorothy Baker

Good Women
by Jane Stevenson

In the Recently Read Archives
An@rchitexts: Voices from the Global Digital Resistance
edited by Joanne Richardson

Beyond the Pale
by Elana Dykewomon

Baghdad Burning: Girl Blog from Iraq
by Riverbend

Don't Let Me Be Lonely
by Claudia Rankine

Naphtalene
by Alia Mamdouh

Small g
by Patricia Highsmith

The Braided Tongue
by Roshni Rustomji

The Visitor
by Maeve Brennan

The Blue Books
by Nicole Brossard

Femme Fatales: Women Write Pulp,
a series by the Feminist Press

Nelly Reifler at Parenthetical Note
and Rush Rankin in Chelsea

© 2005-2008, Caroline Wilkinson